ABOUT

The Art Server Project buys ad space through advertising display networks and serves images of art instead of typical advertisements on the websites people visit every day. We think it’s a novel and disruptive way of exposing more people to art and we continue to experiment with ways to push the model. 

There are three aspects of our vision to use advertising technology to spread art across the the web:

  1. Social Good: We can leverage the low cost of reaching regions with less access to art through traditional channels such as physical galleries and museums.
  2. Art Metrics: All the impressions served through the program are recorded (anonymously) and can be analyzed to better understand how people engage with art online.
  3. Experimentation with New Formats: The ads we serve do not need to be limited to static images. Tools like Google Web Designer allow for interactive pieces to be created that can be served through ad networks. This means the possibility of branching out beyond simply bringing traditional works online, but creating original pieces, designed specifically for this new format.

We’re still figuring out our approach to funding. We think we’ve got a powerful story: a gift of only one US dollar would help us serve over 1,600 images of art to folks around the world! In the future we’d like to be able to even further demonstrate the direct and quantifiable impact those contributions are having. The ad business is all about metrics so the infrastructure we’re working with has already been built to quantify exactly how a donation translates into the art being displayed to people across the world. We could even let people choose what to art to promote and who they would like to see it.

We are also considering the best ways of selecting and displaying the art we serve. See some examples of what we currently serve below:

The pieces are wonderful, but remain traditional static visuals (paintings, photographs, etc.) that need to be appropriated to meet the proportion and resolution requirements of the ad placements we are serving to (such as a 300×250 pixel ad slot).

This raises important and unanswered questions, for instance: is enough of the essence of these pieces maintained through the transformation into an ad format to make this new dissemination vehicle worthwhile?

But also, and maybe more interestingly: could this model with its unprecedented access to audience, engagement data and strange feedback loops, create an opportunity for new art, built-for-purpose in this largely unexplored medium?

These are the questions which drove the creation of the Art Server Project and continue to fascinate us as the experiment unfolds.

If you are interested in what we're doing, please get in touch with us!